Leonardo Dicaprio
Leonardo Wilhelm DiCaprio is an Academy Award-nominated and Golden Globe-winning American film actor. He gained fame for his role as Jack Dawson in Titanic and has starred in many other successful films including Romeo + Juliet, Catch Me If You Can, and Blood Diamond. He has appeared in Martin Scorsese's recent films Gangs of New York, The Aviator and The Departed, causing people to compare this relationship to that from which actor Robert De Niro benefited early in his career. DiCaprio has also been nominated two times for BAFTA, three times for SAG and is a Silver Bear Award winner. The move from "star" to "superstar" came when DiCaprio played Jack Dawson in the 1997 blockbuster Titanic, along side Kate Winslet as Rose DeWitt Bukater, which soon became the highest grossing film of all time and received 11 Oscars. Over the course of the next few years he would become a household name worldwide, synonymous with labels such as "teenage heart-throb", "most beautiful blue eyes I've ever seen" and "sex symbol". People place, DiCaprio fronted scores of magazine covers ranging from Vanity Fair to Rolling Stone, and was once the most searched for personality in the early years of the Internet.[citation needed] In 1998, he made a cameo appearance in Woody Allen's satire Celebrity. That year he also starred in the dual roles of King Louis XIV and his secret twin brother Philippe in The Man in the Iron Mask. His popularity at the time was dubbed "Leo-mania", comparing his sudden fame and fan frenzy to that of the Beatles in the 1960s, known as Beatlemania. The Man in the Iron Mask may have benefited from Leo-Mania, considering its remarkable high worldwide box office gross (especially outside North-America) despite mediocre reviews.
Law Of Karma
The law of Karma (Sanskrit) or Kamma (Pali) originated in the Vedic system of religion, otherwise known as Hinduism. The term traces back to the early Upanishads, around 1500 BCE.
In its major conception, karma is the physical, mental and suprarenal system of neutral rebound, cause and effect that is inherent in existence within the bounds of time, space, and causation. Essentially what this means is that the very being which one experiences (say, as a human being) is an immutable preservation of energy, vibration, and action. It is comparable to the Golden Rule but denies the ostensible arbitrariness of Fate, Destiny, Kismet, or other such Western conceptions by attributing absolute reason and determinism to the workings of the cosmos.
Karma, for these reasons, naturally implies reincarnation since thoughts and deeds in past lives will affect one's current situation. Thus, humanity (through a sort of collective karma) and individuals alike are responsible for the tragedies and good 'fortunes' that they experience. The concept of an inscrutable God figure is not necessary with the idea of karma. It is vital to note that karma is not an instrument of a god, or a single God, but is rather the physical and spiritual 'physics' of being. As gravity governs the motions of heavenly bodies and objects on the surface of the earth, karma governs the motions and happenings of life, inanimate and animate, unconscious and conscious, in the cosmic realm.
Thus, what certain philosophical viewpoints may term destiny or fate is in actuality, according to the laws of karma, the simple and neutral working out of karma. Many have likened karma to a moral banking system, a credit and debit of good and bad. However, this view falls short of the idea that any sort of action (action being a root meaning of 'karma'), whether we term it 'good' or 'bad', binds us in recurring cause and effect. In order to attain supreme consciousness, to escape the cycle of life, death, and rebirth and the knot of karma one must altogether transcend karma. This method of transcendence in many streams of not only Hinduism and Buddhism, but other faiths and philosophical systems as well.
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